Museum of the Museum
Within the framework of "Uncanny Interdependence. Remembrance and Disremembrance of the October Revolution" curated by Joanna Warsza.
Sörnäisten Rantatie 1, Helsinki. September-October, 2017
Museum of the Museum is an exhibition dedicated to the history of the Lenin Memorial Room, a museum that opened in Hakaniemi Square in 1976 and closed in 1995. Shortly before the October Revolution, Chief Kustaa Rovio of the Helsingfors police sheltered Lenin in this room for several weeks so that he could avoid prosecution by the provisional government. Here Lenin worked on his book State and Revolution and prepared for the uprising. Upon the museum’s closure in 1995, the apartment was sold to a private individual. For this research-based exhibition, Orlov has rented another apartment in the same building, where he will recreate the museum for three weeks in October 2017 to coincide with the centennial of the revolution.
Museum of the Museum. Exhibition views. 2017. Images: by Kasia Miron.
Is Museum of the Museum a historical exhibition, or a piece of art? Posing it as a “this or that” question is not correct. Instead, the answer is dialectical: Museum of the Museum is a piece of art that has taken the form of a historical display. But if this 'piece of art' is taking the form of historical exhibition, what kind of historical exhibition is it, what is its subject? This is an exhibition on the museum of Lenin, which is not the same as an exhibition of a museum of Lenin. This is why this installation that recreates the display of the now-closed museum in the form of a temporary exhibition is called Museum of the Museum [of Lenin] rather than just Museum [of Lenin]...
Read the full exhibition statement text by Ilya Orlov in the "Uncanny Interdependence" project brochure here:
The Lenin Memorial Room in Hakaniemi Square. 1976.
The Finnish Labour Museum Werstas archive (Tampere).
On The History of the Lenin Museum in Hakaniemi Square:
The existence of the Lenin memorial museum at the former Kustaa Rovio apartment in Hakaniemi Square was rather short – it lasted from 1976 to 1995. Originally named a “memorial room”, the museum was opened in a small flat on the 5th floor at Sörnäisten rantatie 1. Here, in August-September 1917, Chief of Helsingfors Police Kustaa Rovio sheltered Lenin for several weeks while he was hiding from the prosecution of the Provisional Government for being a “German agent” due to his uncompromising anti-war stance. Rovio's apartment in Hakaniemi was Lenin's last hideout before the revolution. Here, Lenin conducted the theoretical work, prepared the uprising, and finished the book State and Revolution. There is a short memoir of Rovio about the period, entitled Kak Lenin skryvalsa u Gelsingforgskogo Polizmeistera (“How Lenin hid at Helsingfors Chief Policeman's”)...
Read the full text by Ilya Orlov here:
A video tour of the exhibition by Ilya Orlov in conversation with Hami Bahadori
(filmed as a greeting to the Red May Seattle 2018 festival). Camera: Jo Kjaergaard.
A Conceptual art objection to the politics of memory: Ilya Orlov in conversation with Joanna Warsza.
Uncanny Interdependence Symposium. 30. 09. 2017.
The collection of books arranged by Sezgin Boynik
for the exhibition, and other exhibition views.
Mia Heinimaa, the Special Researcher at The Lenin Museum branch of The Finnish Labour Museum Werstas, visiting the exhibition. 30.10.2017 .
Photo by Anna Rawlings.
Aimo Minkkinen, the ex-director of The Lenin Museum in Tampere, leaving his signature on the guest book of the exhibition. 30.10.2017.
Photo by Anna Rawlings.
Ilya Orlov, Mia Heinimaa, Aimo Minkkinen. 30.10.2017 .
Photo by Anna Rawlings.
The guest book of the exhibition.
All the objects items shown in the exhibition are the very pieces used in the original display of Lenin ‘memorial room’ in 1976-1995. The chairs, the dresser, the bed, and the bookcase are ‘authentic fakes’ – exact copies of Rovio’s belongings, manufactured in Moscow in 1975-1976 and now owned by Lenin Museum (Finnish Labour Museum Werstas, Tampere). The writing desk, the wall telephone, the ink well, and the chandelier are likewise from the original ‘memorial room’, and are now in the collections of Helsinki City Museum.
Consultants: Alexander Shapin, Mia Heinimaa, Aimo Minkkinen.
Acknowledgments (alphabetical order):
Aimo Minkkinen, Alexander Shapin, Anna Rawlings, Eetu and Sini Mäkelä, Elina Kallio (Helsinki City Museum), Joanna Warsza, Jyrki Siukonen (Uniart Helsinki’s Academy of Fine Arts), Lassi Patokorpi, Mia Heinimaa (Werstas Museum), Mika Elo (Uniart Helsinki’s Academy of Fine Arts), Minna Henriksson, Natalia Nikonova (Smolny Museum), Nikolay Tretiakov (Smolny Museum), Saara Karhunen (Checkpoint Helsinki), Sezgin Boynik.